Essays written for the Art Directors Guild, and conversations about how the work got made.
Inside the making of the Ingalls homestead and the town of Independence — how the sets came together, and what it took to build them.Interview
“We actually built it that way — no nails, all wood pegs.” On the cabin as the show’s real lead, and the enduring pull of the American log house.Feature
Laura, I’ve a feeling we’re not (actually) in Kansas anymore — the Manitoba prairie, the homestead build, and the 29-building frontier town.Set Design
A location-by-location walkthrough with Markowitz and set decorator James V. Kent — the wagon, the cabin build, the well, the Independence backlot.Interview feature
On throwing out the usual seventies earth-tone playbook, deconstructing an Elvis Presley bowling alley, and why Duster’s seventies are really the sixties.Interview
On the primary-color palette, the decision to build no hallways or exits, and the desert as a state of mind.Essay for the Art Directors Guild
On designing the couple’s public stages against their private rooms, and rebuilding the Landmark suite at triple its real scale.Essay for the Art Directors Guild
On the road into production design, the research behind a period interior, and what makes a set feel lived in rather than dressed.Interview
Rebuilding the rooms and stages where the music actually happened — from Nudie’s Rodeo Tailors to the venues that made the pair famous.Interview
Season 1 premiered July 9, 2026 on Netflix.
HBO, 2025.
Paramount, 2022.
2015.